This item is permanently unavailable and will not be coming back in stock.Read more
The following are some reasons why perfumes can become unavailable:
Each year, the International Fragrance Association (IFRA) issues ever-stricter safety and allergen regulations. This affects quite a few classic formulas as well as niche compositions, and sometimes brands have to discontinue a perfume if they are unable to reformulate.
The brand decides to change the concentration. For example, an eau de parfum is reformulated as an extrait, effectively turning it into a different perfume.
The brand ceases operating. The creative director passed away, got bored, started a new project, sold the business, etc.
The brand cannot keep up with logistics and production demands, with disruptions for up to a year. If there is no regular production and availability schedule, it is not viable for a stockist to carry the brand.
The brand changed the distribution model, eg from niche to duty free.
The caravan is crossing the horizonless steppe. It is the caravan from the East. The merchants are carrying spices and perfumes, expensive oils and delicate silk, overseas wood, chinaware, jade statuettes, and precious jewels. The air is filled with the aroma of wormwood and dried grass. The road is going far away beyond the horizon. The caravan is traveling westward.
This is a fragrance for close, unhurried company in a dry evening atmosphere, when the air still carries heat but the light has thinned. It projects a composed, slightly mysterious presence: resinous, spiced and dry, like fabric and wood warmed by travel rather than by a room.
How to wear
Best worn in cooler weather or on dry evenings, when its incense, amber and woods can unfold without feeling heavy. One to three sprays is enough; the scent has a textured, moderate presence and settles into a warm, resinous trail that reads especially well in open air or on skin warmed by movement.
Who it’s for
For wearers who like spicy-oriental perfumes with a dry, narrative structure and an unconventional edge. It will appeal to people drawn to incense, resins, woods and wine-like warmth, especially if they prefer a fragrance that feels atmospheric rather than sweet or polished.
Release year
2019
The nose
Sarah McCartney is known for building perfumes with a clear narrative thread and a slightly offbeat, handcrafted feel. Her work often balances texture and contrast rather than smoothing notes into something generic, which suits a composition like Saga of the Silk Road, where smoke, spice, resin and wine are set against a dry, airy freshness. As the founder of 4160 Tuesdays, McCartney has become associated with independent perfumery that values character, imagination and directness. In this fragrance, her style reads as atmospheric rather than literal: the idea of a caravan crossing the steppe is translated into a resinous, spiced trail with a dry, windswept edge.
Aura of Kazakhstan’s story
Aura of Kazakhstan builds its identity around the country’s landscape, history and cultural memory, translating regional imagery into perfume. The house’s approach feels rooted in place rather than trend, with each scent framed as a chapter in a broader story about the Great Steppe, local materials and national character.
Saga of the Silk Road’s concept
Saga of the Silk Road is built around the image of an East-to-West caravan crossing Kazakhstan’s open steppe, carrying spices, silk, woods, jade and precious oils. The composition turns that journey into scent: wormwood, dried grass and incense suggest the road itself, while wine, amber and resins give it a warmer, more luxurious trail.
Extra info
The bottle presentation is unusually collectible, with hand-polished glass and bronze-age coin pendants used as symbolic details. The fragrance is also part of a house that frames its perfumes as chapters in Kazakhstan’s cultural and natural story, rather than as standalone fashion launches.
The caravan is crossing the horizonless steppe. It is the caravan from the East. The merchants are carrying spices and perfumes, expensive oils and delicate silk, overseas wood, chinaware, jade statuettes, and precious jewels. The air is filled with the aroma of wormwood and dried grass. The road is going far away beyond the horizon. The caravan is traveling westward.
This is a fragrance for close, unhurried company in a dry evening atmosphere, when the air still carries heat but the light has thinned. It projects a composed, slightly mysterious presence: resinous, spiced and dry, like fabric and wood warmed by travel rather than by a room.
How to wear
Best worn in cooler weather or on dry evenings, when its incense, amber and woods can unfold without feeling heavy. One to three sprays is enough; the scent has a textured, moderate presence and settles into a warm, resinous trail that reads especially well in open air or on skin warmed by movement.
Who it’s for
For wearers who like spicy-oriental perfumes with a dry, narrative structure and an unconventional edge. It will appeal to people drawn to incense, resins, woods and wine-like warmth, especially if they prefer a fragrance that feels atmospheric rather than sweet or polished.
Release year
2019
The nose
Sarah McCartney is known for building perfumes with a clear narrative thread and a slightly offbeat, handcrafted feel. Her work often balances texture and contrast rather than smoothing notes into something generic, which suits a composition like Saga of the Silk Road, where smoke, spice, resin and wine are set against a dry, airy freshness. As the founder of 4160 Tuesdays, McCartney has become associated with independent perfumery that values character, imagination and directness. In this fragrance, her style reads as atmospheric rather than literal: the idea of a caravan crossing the steppe is translated into a resinous, spiced trail with a dry, windswept edge.
Aura of Kazakhstan’s story
Aura of Kazakhstan builds its identity around the country’s landscape, history and cultural memory, translating regional imagery into perfume. The house’s approach feels rooted in place rather than trend, with each scent framed as a chapter in a broader story about the Great Steppe, local materials and national character.
Saga of the Silk Road’s concept
Saga of the Silk Road is built around the image of an East-to-West caravan crossing Kazakhstan’s open steppe, carrying spices, silk, woods, jade and precious oils. The composition turns that journey into scent: wormwood, dried grass and incense suggest the road itself, while wine, amber and resins give it a warmer, more luxurious trail.
Extra info
The bottle presentation is unusually collectible, with hand-polished glass and bronze-age coin pendants used as symbolic details. The fragrance is also part of a house that frames its perfumes as chapters in Kazakhstan’s cultural and natural story, rather than as standalone fashion launches.
